December 2024

We’re excited to announce the December 2024 issue of Multimedia & Technology Reviews. Follow the links in the images below or click the DOI link directly to read the reviews. You can find the full backlist of our reviews in the ARLIS/NA Commons CORE Repository.

The Art Collection of the French Royal Academy of Painting and Sculpture

Reviewed by: Emily Stein

The Art Collection of the French Royal Academy of Painting and Sculpture is a database presenting
the holdings of the Académie royale de peinture et de sculpture, housed at the Louvre in Paris, in 1715 and 1781. It accumulates records for 653 fine and decorative art objects acquired by the Academy and enables the user to curate one’s own experience in French or in English, providing a singular resource for anyone researching eighteenth century French art and institutions. See full review at: https://doi.org/10.17613/ey97w-ev378

Black Craftspeople Digital Archive

Reviewed by: Hannah Fountain

Through the power of primary source documents, the Black Craftspeople Digital Archive (BCDA)
seeks to enhance knowledge of the Black craftspeople who produced much of the American South’s prized goods and wares from 1619 on. Archival materials cited in the database are largely sourced from historic newspapers and U.S. Census data, focused on craftspeople working in South Carolina and Tennessee during the eighteenth and nineteenth centuries. See full review at: https://doi.org/10.17613/g2k24-1t004

Common Dimensions

Reviewed by: Fiona Hibbard 

Common Dimensions is a unique platform dedicated to investigating the expressions of the chair as an object of study. This primarily online resource also offers a print publication by the same name. Each modality examines what makes a chair a chair. Common Dimensions is a predominantly digital resource, and has a variety of content including a visual archive, interviews, and a collection of text. Through these resources, users are encouraged to explore the material, cultural, and political dimensions of the chair. See full review at: https://doi.org/10.17613/7fgwq-t5321

Fragmentarium

Reviewed by: Friedrich Sarah E. Thompson

Fragmentarium is an online repository for digitized medieval manuscript fragments run by the
Manuscript Research Centre at the University of Fribourg. Unlike many other online platforms for
digitized manuscripts (like DigiVatLib, RIALFrI, or DIAMM), Fragmentarium’s focus is on manuscripts that exist only in fragmentary form, regardless of origin or host institution. See full review at: https://doi.org/10.17613/4xn7x-hc645

Hammer Online Collections

Reviewed by: Maya Lekach

Hammer Online Collections is a free digital resource from the Hammer Museum at UCLA, which
provides public access to the museum’s diverse holdings and data. The resource provides access to
roughly 50,000 works from the museum’s collection including over 8,000 open-source images as well as video recordings of past artist programs. See full review at: https://doi.org/10.17613/j22cs-hbd22

Renaissance Polychrome Sculpture

Reviewed by: Stephanie Morgan

The Renaissance Polychrome Sculpture databases for Tuscany, Lombardy and Piedmont, and Puglia and Basilicata hosted by Queen’s University form an extensive, ongoing project to document
Renaissance and Baroque polychrome sculptures in Italy. Each database contains high-resolution
photographs, interactive maps, and detailed information for over 600 sculptures in total, offering
scholars, educators, and students valuable open-access resources. See full review at: https://doi.org/10.17613/nzq2t-c9882

Video Data Bank Educational Streaming Platform

Reviewed by: Garrett M. Rosenblum

The Video Data Bank Educational Streaming Platform is a new subscription-based resource from the School of the Art Institute of Chicago’s (SAIC) Video Data Bank (VDB). VDB has been a leading resource for videos by and about artists since 1976. Their vast collections include over 6,000 titles of video art, experimental films, documentaries, and artist interviews, showcasing artworks from 1970 to the present. VDB’s Streaming Platform currently provides access to over 2,000 titles from this collection. See full review at: https://doi.org/10.17613/7m7jg-9xd82

Screenshot shows People of Craft homepage , including a blue banner reading "People of Craft is a growing showcase of creatives of color and their craft in design, advertising, tech, illustration, lettering, art, and more. It's time to redefine what a creative looks like."

People of Craft

Reviewed by:
Beth Goodrich, Librarian
American Craft Council
bgoodrich@craftcouncil.org
https://doi.org/10.17613/4gv2-nz23

People of Craft is billed as a “showcase” of creatives of color in the fields of design, illustration, photography, writing, web development and other adjacent fields. The landing page is vibrantly colorful, with each artist represented by a hero image of their own choosing. The simple interface allows users to browse the gallery of artists and provides links to the artist’s website and social media accounts.

This site is not as much a database as a gallery, offering no search capabilities; however, it provides filtering options by artistic field and geographic location. Artists have the option to be tagged in multiple categories, which include artist, creative director, designer, developer, entrepreneur, illustrator, letterer, manager, photographer, strategist, or writer. Website visitors may filter the gallery to specific categories, or they have the option to view all participating creatives. Filters are also available for specific cities from around the world.

Beyond the filtering features, there is very little functionality on the site. This reviewer found that many of the links to artist websites or Instagram accounts were no longer functioning, leading one to believe the site is largely self-maintained by the participating artists. Users must be prepared for content that is not up to date. Nevertheless, People of Craft can be a useful tool to increase familiarity with and visibility of the creative work produced by communities of color.

Screenshot shows People of Craft page with six tiles for participating who are letterers.
Screenshot of participating artists tagged as “Letter”.

The simplicity of the design of the People of Craft website makes it very easy and intuitive to navigate. The public interface takes place on one page only, with filters visible as a dropdown menu from the webpage header. Contact information for the website managers is also easily accessed from the banner, and this page provides all necessary information for submitting requests, email suggestions, and connecting to the People of Craft Instagram and Twitter accounts. The functionality of the site is maintained and easy to use when accessing from a smartphone. There is no paywall or requirement to sign up for an account to use the site, nor is there a fee for creatives to participate in the site.

There are few other examples of databases featuring artists and creatives of color. Inclusion in Art (https://inclusioninart.com) has a page featuring artists of color in the state of Oklahoma, which, like the People of Craft site, offers only browsing with filtering. Cartoonists of Color Database (https://cartoonistsofcolor.com), created and maintained by cartoonist MariNaomi, has a more sophisticated interface, including search features by name, geography, gender, genre, and roles. While People of Craft may be lacking in functionality, it recognizes a broader artistic and geographic representation.

Screenshot shows People of Craft page with three tiles for participating artists who are writers.
Screenshot of participating artists tagged as “Writer”.


For those looking to become more familiar with creatives of color in a particular field or location, this site can be a useful tool. This site may also be of interest to artists wanting to join an online community of creatives of color. Participants have a good deal of agency in how they are represented on the site, and the barriers for inclusion appear to be minimal. Participating artists may nominate themselves to be included on the site, or they may be nominated by others. Nominations for inclusion are submitted through a simple Google form that screens for artists who self-identify as people of color. Requests for updates or removal from the site may also be submitted through Google forms.

People of Craft is a project of Amélie Lamont and Timothy Goodman, with design assistance by Twisha Patni and Madelyn Hinojosa. The website is coded by Eric Jacobsen.